Is there any Liu Peiyang among Chinese jade carving masters?

It seems that there is no, the following is the list of Chinese jade carving masters:
Shanghai
Hong Xinhua:
for more than thirty years in the industry, good at carving characters, at the same time, the themes of creation are very broad Animals, landscapes, utensils, etc., the traditional themes of Chinese jade carvings are omnipotent. His works are vivid and smooth, with smooth lines, pure materials, and refined carving. The products have been awarded across the country many times and were rated as the master of arts and crafts by the Ministry of Light Industry.
Cui Lei:
The famous Chinese jade carvings, native of Tianjin, 1993 Division from Master Hong Xinhua, in 2007, the establishment of Aoki Jade House Studio, currently the vice president of Shanghai Shengshi Jade Culture Association. The work "Dharma" won the second Chinese jade carving work "Sky Gong Award" Silver Award. In 2006, the work "Miaoshi Flowers" won the "Sky Gong Award" Silver Award, and the work "Maitreya" won the "Tiangong Award" bronze award. The work "Success" won the "Sky Gong Award" Excellent Works Award.
Wu Dosheng:
The master Wu Dosheng, a master of jade carving in Shanghai, is recognized by the jade carving world. He has always been seen as characters and three -dimensional parts. In recent years, his works have paid attention to innovation and exploration. Under his carving, a piece of beautiful jade has the pulse of the times. In 2004, he was rated as the national jade carving art master. In 2006, he was rated as a master of Chinese arts and crafts. Representative works include "Eighteen Luohan", "Jigong", "Interesting" and so on.
I Yongyong:
I Yong is a jade carving master that has emerged in Shanghai in recent years. The first knife! Whether from the shape of the jade brand to the composition of the picture, to the delicateness of the carving, it can be said to be the superior product of the jade brand carving. In 2004, he was awarded the title of "Chinese Jade Sculpture Master". In the "Tiantong Award" evaluation over the years, his work won many awards.
Itzi:
one of the representatives of the backbone of the new generation of jade carvings in the sea of ​​jade carving. His works are novel, exquisite and elegant, and well combine the ancient Chinese jade carving technology with modern art. It is loved by people. Zhai Yifu is good at the carving of the jade brand. Although the shape is simple, but the portrait, thin relief, shampoos, and different combinations such as yang and yin engraving, the three -dimensional sense and space, rigidity and softness, depending on each other, rich levels, showing the unique white jade unique to white jade unique to the unique white jade. The convincing charm and vitality.
Qu Huizhong:
Qu Huizhong is an expert in carving of the famous utensils in my country and graduated from Shanghai Jade Sculpture College. He is humble and enthusiastic, and integrates the fineness of the southerners with the roughness of the northerners. The carved vessels are "graceful and elegant in the grace and luxury, and the exquisite and beautiful hidden spicy". The work "China Kowloon Emerald Jade Pen" was permanently collected by the Great Hall of the People. The white jade work "Yubao Pot" and "Blessing Blessing Pot" won the "Sky Gong Award" gold and silver award in 2006 and 2007. , "Tiger Ear Double Ring Bottle" won the gold award of the Chinese jade "Hundred Flowers Awards".
Peng Zhenghe:
The marine jade carving master Peng Zhenghe has been struggling for 36 years in the jade carving industry for 36 years, and 36 years of accumulation, let him have long -sleeved good dance in jade carving creation. Both flowers and birds or animals have to be handy. People in the industry believe that his work is delicate, fresh and elegant, full of interest, and the sea style is strong. The crab he is good at is lifelike, lively, and has a strong three -dimensional sense.
Yu Xuetao:
The famous jade carvings in Shanghai, it has always pursued the style of pleasure and nature in creation. The works are not abstract and the ornamental is strong. His works are integrated, God, and ingenuity, combining classical beauty and modern beauty, which is refreshing. "Shougong Shou Po" has the "Silver Award" of the 2005 Sky Gong Award, "Hehe Erxian" and "Zhong Rong" won the 2007 Tiansong Award "Excellent Works Award". Gold Award.
Yan Guiming:
In Shanghai's jade carving realm, Yan Guiming was honored as one of the "Four Heavenly Kings". His jade carving works are the main veins of traditional characters, with flowers, birds, landscape works. His character creation style comes from tradition. It is also innovative, while his antique jade carving faithfully inherits the expression techniques of jade carving mountains, characters, and pine cypress in the Qing Dynasty. The ancient charm is long. In 2006, "Bodhi Buddha" won the Gold Award of the "Tiansong Award", in 2007, "Xiangyun Ruyi Free Guanyin" won the Gold Award of the Tiansong Award, and in 2008 "Everything Ruyi" won the "Hundred Flowers Awards" gold awards.
Wang Jinzhong:
The master Wang Jinzhong of the sea of ​​jade carving is good at the carving of flowers, birds, and characters. Most of his works choose Hetian Ziyu with skin color. The characteristics also make the work glowing. Industry insiders commented that Wang Jinzhong's works are elegant and dexterous, combining the beauty of art and the exquisite carving craftsmanship, full of rich cultural atmosphere
Wu Zhi Fa:
Shanghai jade carving master Wu Zhifa This year is only 37 years old. Although he is young, he has a certain reputation and influence in Shanghai's jade carving world. Each of his works is like a sketch landscape painting. It contains poetic paintings in simple and bright, making the viewer seem to smell the atmosphere of nature. The vivid flowers and birds have revealed the unique charm of his ingenious charm, which makes people love it. In 2004, Wu Zhifa established his own personal studio, Boyi Hall.
Guo Wanlong:
one of the "Shanghai Nine Little Dragons", Guo Wanlong, has laid a solid foundation in the jade carving technology from Liu Zhongrong, a national jade carving master, and created it through his own continuous efforts and unique understanding. With its own craftsmanship, it has now become the pillar of Haipai jade carving. Guo Wanlong is good at carving of flowers and birds and animal themes. His works are simple and refined, full of interest in life. In 2000, he established Guo Wanlong Studio.
Cao Guobin:
In the more than ten years of jade carving creation, the master of the sea of ​​jade carving Cao Guobin gradually formed a unique personal style. His works are smooth and clever. On the basis of inheriting the tradition, there is a modern expression, giving viewers a broad imagination space, which can be said to be unique. Cao Guobin had a sober understanding of his positioning and direction, and practiced his understanding of jade carving in his creation.
Wan Wei:
The resignation of stable jobs, resolutely came to Shanghai for development, every step that Shanghai Jade Carving Division Wan Wei took it accompanied by hard work and thinking. In the process, he also completed it. From immature to mature transformation, and achieved his own career. In the creation, Wan Wei absorbed inspiration from the meaning of the thin intention of Shoushan Stone and Tian Huangshi. The work integrates the art and the painting theory. The composition is clever, rich in layers, fresh and timeless, and gives people a deep impression.
Xu Zhihao:
. After more than ten years of hard work, Xu Zhihao was already famous in Shanghai, and was known as "Shanghai Nine Nine Nine Nine Nine Nine Nine of Shanghai Nine "Xiaolong". As a master of Master Ni Weibin, in his creation, he pursues a realistic style, and in terms of expression, he pays attention to the comparison of reality and reality. The work style is cute and the cultural atmosphere is strong.
Sun Guanghai:
The Shanghai jade carving master Sun Guanghai, in the treatment of Guanyin and the ladies, expresses rich levels with deep relief, with simple lines, highlighting the fullness of the characters, grasping a detailed carving, others Part of the focus on "leaving white", this kind of sparse contrast to the viewer gives the viewer a strong visual expression.
Zhang Hebing:
Chomically groping, Zhang Hebing accumulated rich experience in the polishing of jade articles, and formed a set of own methods and techniques. Under his wonderful hand, a rough, imperfect jade glowing glowed with dazzling glory, with a change of reborn. In the process, Zhang Hebing not only was affirmed and praised by the jade carving division, but also gained spiritual pleasure and satisfaction.
Wang Ping:
The Guanyin style of the master Wang Ping of the sea of ​​jade carving is mainly based on the Guanyin of the Tang Dynasty, and it is new on the traditional theme. His requirements for Guanyin are blessed, the lines are simple and smooth, the body is rich, and the overall shape is soft. The most significant feature of Guanyin of the Tang Dynasty was that the heavenly court was full and the ground was round. In the creative composition, the primary and secondary are clear, and the main body is prominent: the main body of the work is mostly the realistic technique of western sculpture, fine three -dimensional; the foil part, strives to be simple, rigid, soft, and smooth, highlighting the subject.
Huang Hanyong:
Prinking on the basis of inheriting the tradition, Huang Hanyong broke the inherent aesthetic paradigm of jade carvings, let the concept directly present, and triggers the viewer's thinking. Such a process of processing has a demonstration of the entire industry in the expression of ideas. As he said, breaking the inherent aesthetic paradigm, expressing emotions, and pinning thoughts, making works a unique current expression, will be the future direction of jade carving art.
Suzhou
Jiang Xi:
one of the leaders of Suzhou jade carving skills and representative inheritors of intangible cultural heritage, Jiangxi carved with both works and exquisite works, exquisite, and was at home and abroad. Many jade collectors collect. On the basis of inheriting the traditional jade carving skills of Suzhou, he boldly innovated and formed his unique artistic style. It is indeed the inheritor of the "Su Gang" jade carving. The work "Evil Evil" won the 2008 "Baihua Cup" China Arts and Crafts Award Silver Award; Bai Yu's "Wangtian Roar" won the 2008 China Jade Baihua Award (Guangzhou) Gold Award.
Yang Xi:
The works of Mr. Yang Xi are characterized by simple shape, smooth lines, and clear themes. The extension and development of an era. The new technique of "combination of reality and reality" he created has enriched the internal charm of jade carvings, and gave Suzhou jade carving a brand new artistic life.
Wu Jinxing:
one of the representatives of Su Zuo's jade carving world -Wu Jinxing's creation is good at antique, animals, flowers and plants, and the works are vivid. Fun is naturally natural, and is widely sought after by jade enthusiasts and collectors. His animals are alive, rhyme, full of dynamic work, flowing rhythm and festivals.
Ge Hong:
Ge Hong's style is antique and modern. The subject matter is still traditional, but the layout and design are modern. He widely absorbed Western sculpture techniques and layouts, and used flexibly, emphasizing the heritage and cultural heritage. Not only ancient, but not justice. His design is clever, he does not hesitate to treat beauty, not only herself and art, but also absorb Western sculpture techniques widely. It often makes people shine.
Yumana:
Suzhou jade carving master Yu Zhou is good at utensils, animals, flowers and plants, and works are famous for neat and elegant. The jade carving boutique with its own characteristics, its design and creation jade carving utensils is unique in style, and has won the award at many national expo. The works are deeply recognized by the majority of collectors and the industry.
Yangzhou
Gu Yongjun:
The innovation in inheritance, inherited in innovation, restored the 200 -year -old "Shanzi Carving". In 2002, the "Chaoyin Cave" he created won the first gold award of the "Tiantong Award" in the first Chinese jade carving work. In 2003, "Hanbatu" won the "Tianshu Award" gold award. Award "Excellent Works Award, known as the first person in China's" Shanzi Carving "
Gao Yijin:
The master of Chinese arts and crafts, Chinese jade carving master. Born in Yangzhou, the production and design of jade carving utensils
Feng Xun:
2003 to become a jade carving work room "Tiantian Crystal Processing Factory", engaged in the creation of miscellaneous and animal jade carving works. In the "Baihua Jade Yuan Cup" jade carving contest held in Yangzhou in 2006, the crystal of the work of the work won the jade carving silver award. In the first international "Oriental Jinyu Cup" jade carving contest held in Beijing in 2007, his work and Tian Qingsheng Jade's "Family Huan" won the excellent work award. In the "Baihua Jade Yuan Cup" jade carving contest held in Yangzhou in 2008, his work and Tian Black and White Blue and White Seed jade "Sea Wide Sky" won the silver award.
Gu Ming:
The Yangzhou arts and crafts artist Gu Ming, while inheriting the traditional Shanzi carving skills, has carried forward and innovate Shanzijiao. The effect is strong, combining the beauty of art and the characteristics of the material perfectly, which has a strong personal style, but also caters to the aesthetic psychology of modern people, and has received good market feedback.
Yu Yong:
Under the careful guidance of the carved masters Gu Yongjun, Xue Chunmei, and Yan Guiming, he was improving and continuously innovated. His works have achieved repeated achievements in Yangzhou and national jade carvings. In the creation, Yu Yong combined Yangzhou Shanshui and Haipai Jade Carving, and received a refreshing effect.
Zhu Yikun:
Yangzhou jade carving division Zhu Yikun was not good at talking and low -key. From the crystal to attacking the jade carving, his transformation was relatively smooth, but he was not complacent, but continued to try and change. In his creation, he applied pretty color to creativity and design, and throughout the entire link, paid attention to the characteristics of the material, and gave the work strong visual expression through clever ideas and craftsmanship. This idea of ​​winning with "clever" makes his work more distinctive.
Guo Zhongguang:
The Yangzhou jade carving master Guo Zhongguang has both clever design ability and skilled carving skills. The composition of the work is clear, the carved is exquisite, the artistic conception is long, and it has strong ornamental and artistic value. His mountain is also like his character, revealing the atmosphere and simplicity everywhere, leaving a deep impression.
Yang Guang:
The masterpieces of utensils enjoyed in Yangzhou and even the whole country, Yangzhou artist Yang Guang is obsessed with the carving of the furnace of the furnace. On the top, the new and new style of creative style has formed a dignified, atmospheric, elegant, and delicate creative style. The works are novel and unique in the subject matter.
Huang Binrong:
As the earliest jade carving division, Huang Binrong's low -key is famous. No matter what is publicity, it is everyone's evaluation of him. And he also said that with encounter, An An is his own principle of life. It is also based on this mentality that his works can always give people a sense of tranquility and elegance. In the fine taste, a peaceful and long reading.
Chen Dajun: Chen Yicai,
Yangzhou jade carving master Chen Yicai Chen Dajun's father and son is known for his bottle utensils. The utensils they produced are antique and are deeply favored by collectors. Industry insiders said that the furnaces they made are complete and clean, and they are very handy, especially the thin -fetal bottle. On the basis of retaining traditional charm, there are innovations, and they are rare in Yangzhou. Chen's father and son won awards: In 2006, "Pumpkin Carved Big Bar" won the Gold Award of the "Tianshu Award". In 2007, the jade "Three -foot Furnace" won the "Tiangong Award" Excellent Works Award. The plug -in screen won the "Tiantong Award" Excellent Works Award. In 2006, Bai Yu's "Guanyin" won the "Baihua Yuyuan Award" Silver Award 2008. In 2008, Bai Yu's "Qingchuan Range Rover" was inserted and won the "Baihua Yuyuan Award" gold award.
Wang Dehai:
This Chinese jade carving master Wang Dehai inherited and promoted the "Yangzhou Shanzi Eagle" technique, and on this basis, boldly used relief techniques to form a elegant and beautiful jade carving style. In his works, the characters are beautiful, delicate, beautiful and elegant, and have a wide range of theme content. It breaks the simple ancient lady's image and monotonous composition, and creates a multi -level picture of the combination of themes and scenery. Hold the character's inner emotions and make the characters more lifelike. Its mountains carvings cleverly use the natural and beautiful form of jade. Due to the color setting and the formation of art, the characters, flowers, birds, fish insects, treasures and beasts, pavilions and pavilions are unified on a picture.
Xue Chunmei:
Xue Chunmei has been engaged in the research of jade carving creation in the past thirty years, and the Chinese arts and crafts master Xue Chunmei in terms of subject matter, performance techniques, etc., adheres to the art of Fu Cheng, innovation, and integration of "Nangxiu Beixiong". Long, formed a personal artistic style of "fresh and graceful, delicate and beautiful". The works created fully demonstrate the new conceived ideas, exquisite layout, subtle mood, deep, and artistic paintings.
Kong Xiangjun:
Is adhering to the tradition of Yangzhou jade carving, and has been devoted to creation for many years. It is one -piece, and the style is bright and far away. The works often see their care, instead of traces of portrayal. The characters refer to painting fiber, elegant and handsome; Guanyin statues, such as reason, solemn and charity; Unlike, there is a mood of poetry and painting.
The Xinjiang
Ma Jingui:
The master of Chinese jade carving, master of Chinese arts and crafts, general manager of Urumqi Jade Jewelry Co., Ltd. 41 years of employment. He is good at design and production of furnace bottle, characters, etc. In recent years, he has made outstanding contributions in inheriting the development of "gold and silver error" technology. Its "White Jade Error Gold Portal West Pot" has won the "Sky Gong Award" Silver Award, "Mo Jade Error Silver Embeds Gem Pot" won the "Tianshu Award" Excellent Award, "White Jade Erotic Embeds Gem Shouzhu" The three works won the excellent work award of the first national stone Hetian jade jade carving work exhibition, and two works such as "Jade Press Silver Silk Bowl" won the Best Craft Award.
Mo Xuewu:
Chairman and general manager of Xinjiang Baiyucheng Co., Ltd.. In 33 years, he is good at the design and production of furnace bottle and other jade articles. His works have won awards in the domestic industry many times. In recent years, it has vigorously advocated the establishment of jade carving works with the national style of Xinjiang, and the establishment of jade carving schools and research institutes has made outstanding contributions to the jade carving talents that cultivate Xinjiang. In 2004, he was honored by the Chinese Jade Sculpture Master recognized by the Chinese Baoyu Society in 2004.
Guo Junior:
The master manager of Chinese jade carving master, general manager of Wushang Ruiyu De Industrial Co., Ltd., has been in the industry for 20 years. He is good at the design and production of large and medium -sized utensils such as furnace and chain bottle. His works are strong, simple and bright, and have deep Chinese jade traditional cultural heritage. Baiyu's "Life Ruyi" and "White Jade Pot" have won the Best Creative Award and Best Craft Award of the "Tiansong Award". "Dharma" (Bai Yuzai) and "Four of the Four" (Mo Yu) won the excellent work award of the first national stone Hetian Yuyu sculpture exhibition.
Fan Junmin:
Plord Xinjiang jade carving master, 18 years of employment, his work combines the southern spirit with the rough style of the north, due to his aptitude, lively and lively, smooth and beautiful lines, simple and bright, styling, shape fine. Four works such as "Jasper Bottle", "Baiyu Ruyi Bottle" and "Zaiyu and the Erxian" won the "Tianshu Award" Excellent Works Award and Best Craft Award. "Tsai Jade and the Erxian" won the first national stone and Tianyu jade carving work exhibition excellent work award;
Zhou Yanming:
The master of jade carving in Xinjiang, 22 years of employment. Its creation is mainly north style, represented by the Ming and Qing craftsmanship. It is used for materials, and has created a large number of works, characters, and beasts. Bai Yu's "Half Moon Climbing up" won the "Tiantong Award" Excellent Works Award. Bai Yu's "Happy Eyebrows" and "Blessing Ping An Bottle" won the "Best Craft Award" for the first Hetian Yuyu carving work exhibition.
ota:
Tao Hu, born in 1962, Chinese jade carving master. He is currently the vice president of Xinjiang Jewelery and Jade Jewelry Industry Association, Deputy Secretary -General of the Xinjiang Arts and Crafts Association, master of Xinjiang Arts and Crafts, and General Manager of Xinjiang Pinya Jewelry Store. Tao Hu is good at the design and production of utensils and mountains. He inherits the technique of jade carving in the northern faction in my country, and explores works with distinctive local characteristics and strong ethnic style based on regional characteristics, and has contributed to the development of Xinjiang jade carving industry.
Shao Fei:
one of the representatives of the new generation of the jade carving world in Xinjiang. In 1992, he followed the Chinese jade carving master Ma Xuewu to study in Shanghai. The skills have made great progress. In 2001, he returned to Xinjiang to start a business, opened the Jade Wushuang Jade Store, and established a personal studio to concentrate on the creation of jade carving works. Shao Fei is good at characteristic ornaments. His works are clever, vivid, fine -looking, and aura. The work has won the award in the selection of Guishi jade carving.
Chen Shuming:
The Xinjiang jade carving master Chen Shuming inherited the essence of predecessors in artistic creation, and at the same time incorporated personal style. He integrates the traditional Chinese culture and art and painting traditions and sculpture art. He replaces the brush and sculpture knife with jade carving thoughts, combined with flat shade relief, round carving, hollow carving and other skills, pour creative passion, portray the character image, and express the idea of ​​work. His "beautiful micro -carving" works are exquisite and beautiful, and are called "the first person of Hetian jade micro -carving" by Xinjiang cultural circles and news media.
Wu Jian:
, as one of the representatives of the middle generation of Xinjiang jade carving realm, more than 20 years, although Wu Jian has briefly left this industry, his love for Meiyu and his obsession with jade carvings has never weakened. Unconsciously, he has opened a wider world. Wu Jian can be regarded as alternative in the jade carving circle of Urumqi. He rarely participated in entertainment. Most of the time, he kept himself in the studio to conceive creativity and design works. In his opinion, being able to live in this world content is enough ...
Beijing
Jiang Wenbin:
In Beijing's jade carving world, Jiang Wenbin was "monster" by everyone, Since entering the jade carving industry in the early 1980s, he has struggled in this field for more than 30 years. Jiang Wenbin is a master of jade carving with profound skills, agile thinking, extensive and comprehensive skills. In 2005, the Hetian Baiyu "Huaxia Xiongfeng Map" he created was rated as a contemporary jade carving treasure. In recent years, he has continuously created "Huaxia Xiongfeng Map", "The Roots of Yanhuang", "Fantastic Fairy Life", "Qiantang River in the Qiantang River" "Legend" and other works are favored by the market.
Su Ran:
The master of jade carving in China, his works continue the design of court jade in the design, and cleverly use the pattern patterns of various historical periods, integrate into other sister art, and pursue literati on the artistic conception. Leisure and poetry. In 2004, the work of the works of Baiyu "Shuanglong Card" won the bronze award of the Tiangong Award. In 2005, Baiyu's "Yongmei Brand" won the Sky Award Silver Award, Baiyu's "Taoyuan Jieyi" and "Boiled Jiu Lunar Heroes" won the excellent work award, 2007 In the year, "High Mountains Yangzhi", "Shi Dao Confucianism" won the Sky Award Silver Award, "Jade God Sword", "Jiangshan Yonggu Town", "Jiusi Ming", "The Three Friends of the Level of the Level" and other works won outstanding works prize.
Song Jianguo:
among Chinese jade carving artists, there are not a few people who are good at painting and Yantong Danqing. This is not surprising. Painting is the basis of jade carving, shape design, drawing work, no strong fine art, no strong fine arts, no strong fine arts. Disciplines, let's talk about jade carving creation? But there are not many people who have turned from the painter to become a jade carving artist. Song Jianguo is one of them, and he is a jade carving artist and a master of Chinese arts and crafts.
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Li Dong's jade carving creation has shown an aggressive trend in recent years. This aggressive is expressed in the extensive involvement of the character from the card to the large jade carving, which also shows it as right as right. The concentration of jade carving cultural content. He thought diligent, learned kindly, traveled to the eight -pole, and often thought about the light and eight poles. However, it is not his director with his clever victory. His career starts and develops in the roots of the imperial city. The traditional cultural genes are invested in his blood. In addition, with the advantages of the humanities in Beijing, rich cultural resources have become his growth It is beneficial to nourishment, which has formed the artistic style of Shen Hun, atmosphere, health, and masculine. In the artistic practice of jade carving, it strides to make a road of conversion and innovation that is committed to exploring the traditional culture of Chinese science resources.

Only when you spend money, you can be called a master. I have no money and do n’t be a master. I have collected the works of Mr. Liu Peiyang.