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wholesale sports jewelry Emperor Qianlong sat on the bed in the study of Hanfu to see the concerto
In 1711 AD, the Qing Gaozong Ai Xinjue Luo Hongli was born. 24 years later, Hongli succeeded, and the following year, the year was changed to Qianlong. It is said that "Qianlong" means "getting God's blessing" in Manchu. has died in 1735 to 1799. In these 64 years, as the meaning of the "Qianlong" meaning, the Emperor Qianlong seemed to be blessed by heaven and created his own "Qianlong prosperity". The weather of that era was also immersed in the utensils he had, and a drop of drop, until today, he could still compete. The royal family of the Qing Dynasty always attached great importance to education, and most of the prince's cultivation taste was also very good. At the age of 14, the Qianlong Emperor, who was able to go back and forth, and his personal quality was also tipped among many emperors. This youthful aspirations, young people ascended to the throne. When Kangxi was ascended, he was next to the power and San Francisco's separation. The situation where the official governing pine and financial confusion in the Yongzheng dynasty did not appear in the Qianlong dynasty. The grandfather and father laid a good foundation, coupled with their own inspirational governance, which made Qianlong the peak of the development of the feudal dynasty in China. Its social stability, abundant financial resources, the rapid growth of the population, and the continuous improvement of social production. The area of the territory reached the highest point of the dynasties outside the Yuan Dynasty (13.16 million square kilometers in the twenty -four years of Qianlong). This statistics show that Daqing under the rule of Qianlong was the most powerful country in the world at that time. And the greatest concern of the dynasties: abroad, farmers' uprising, dictatorship of power and ministers, concubines and foreign relatives, eunuchs, royal politics, friendly party disputes, local separatist forces ... Stablize. In this case, Qianlong consciously had sufficient reasons to come to Daxing "Shengshi Collection". The monarchs and scholars Qianlong himself is a rare and energetic monarch in the past. Tourism, hunting, poetry, calligraphy, calligraphy, appreciation, and collection are all his life. Qianlong, who has been educated well, also has a strong sense of scholarship, and has both capital and style to cultivate his own interest. This poetry, the poems preserved in his life reached 4,4420, which can be described as a person who wrote a book "The Tang Dynasty Poems"; he liked calligraphy, and his pen was used to take Zhao Mengfu, especially Wang Xizhi. "No less than a hundred times; he studied painting at the age of 19," loves to write flowers and birds alone ". At first, he copied famous works such as Lin Chun, Bianyu, Huang Quan, Xu Xi and other famous artists. Calligraphy and painting works in China are compiled into literature such as "Secret Hall Pearl Forest" and "Shi Qu Bao Di". In Qianlong's own words, "I have been studying in the palace since I was a child, and I have been tasting for 20 years. . He was always enthusiastically devoted to art aesthetic activities. He tried his best to search for a large number of artworks, and he held himself with high levels of collectors and connoisseurs. Qianlong's so -called elegant behavior of traditional scholars often made people from future generations startled. of course, in addition to being part -time as a "scholar", Qianlong's main business is a monarch after all. Most of his life's efforts still have to be placed on the creation of his dynasty. Such a "prosperous" emperor's love for art may have been educated from a young age, or his own sex, but he cannot escape political factors. The regime established by the Qing Dynasty, as the frontier of the minister Yu Ming, had to face the serious "destiny" and "orthodox" problem after entering the Central Plains. In this regard, Qianlong's father, Yongzheng quoted Han Yu's words in "The Records of the Righteousness": "China and Yidi also, then Yidi Zhizhi; Yidi and China, then China." The orthodox nature of culture replaces the orthodox nature of the descent and uses cultural identity as the core of identity. It is the key to accepting the legitimacy of the Chinese culture. In this case, Yongzheng and Qianlong's love for traditional culture are no longer a personal preference for personal preferences, but a deep choice based on the national ideological level. It Qianlong, with the unprecedented level of collectibles, the abundance of art collections and the improvement of the level of craftsmanship are also the powder accessories of his achievements, and it is even more unprecedentedly proven. Qianlong, who was praised as "the first person in the old age", became a veritable "Eternal Player". The antique and Western winds are not contradictory. This in the Qing Dynasty had traditions of tribute. Many treasures of treasures were presented to monarchs to express loyalty through various names such as Nian Gong, Duanyang Gong, and Wanshou Gong. The number of rare treasures collected by Qianlong in his life is unparalleled. This glorious peerless products come from the contributions of ministers. Among the Qing Dynasty crafts, which is collected by the Palace Museum today, the Qianlong period is the most exquisite and precious, the largest number, and the level of craftsmanship has reached the extreme.
The gold embedded jewelry "Golden Yonggu" cup (Qing Qianlong)
The special wine glass of Tu Su wine was held during the opening ceremony. The four words "Jin'er Yonggu" mean that the community Yongbao and Jiangshan Yonggu, were regarded by the emperors of the past generations after the Qianlong emperor. Qianlong likes to collect texts, especially love jade. Not only collects the "three generations" (Xia Shang and Zhou) ancient jade, but also the palace to imitate a large number of jade articles from the Neolithic era to the Warring States Period. As a ceremony, jade, jade, and jade swords existed in the Qianlong dynasty. At the same time, in order to pursue the effect of "ancient", it is dyed and old for jade. Due to the more thorough solving the problem of the frontiers (the rebellion of the quasi Geer), Qianlong has a unique jadeite place for jade. He consumes a lot of manpower and financial resources to invest in jade manufacturing. The complex and sophisticated composition of the composition are also the most in the past. In addition, Emperor Qianlong was also keen on the collection and imitation of bronze wares. The Qianlong dynasty was also the peak period of antique copper wares. At that time, the antique copper shapes produced at that time were similar to the original instruments, such as Ding, 觚, Jue, pot, clock, etc. although the casting method still follows the ancient "waxing method", the casting skills at this time have reached the level of pure fire, and various complex shapes are omnipotent. There are also various decorative methods, such as carving, hollowing, burning ancients, gold and silver, gold and silver silk, sprinkler and so on. The artistic categories such as porcelain, painting, tooth carving, Qianlong set off a large -scale antique trend. Of course, although it is antique, after all, it is completely different. The simplicity, thickness and simplicity of the "three generations" jade have been deliberately replaced by the careful carving. In addition to antique, Qianlong also showed a strong interest in the West. Although in the exchange, the Qianlong dynasty had passed the "honeymoon period" of Western missionaries and Western businessmen during the Kangxi period, but the penetration of culture has deeply affected the heart of the "Tian Dynasty" monarch. Qianlong not only loves the telescope, watches, musical instruments, and toys from the Western Ocean, but also has a special care for the furnishings between his living room. French missionary Jiang Youren described not only lacked blankets in several palaces that Emperor Qianlong's leisure, but also "also mirrors, painting, seat clocks, branches chandeliers, and other most precious ornaments owned by Europe." Qianlong is very enthusiastic about Western painting. He re -uses Western missionary painters such as Lang Shining, Wang Zhicheng, Ai Qimeng, and uses Western painting of his life (war, hunting, banquet, etc.). Express. The Yuanming Garden, which has the longest living time, has become a royal garden with a strong Western style.
"Qianlong Rongjian Reading Picture" n is just, although Qianlong loves all kinds of "Qi Qi Qi Qiao" in the West, but During his reign, he had no interest in business. During his reign, "resolute" closed the 73 -year -old port that has been opened since Kangxi, and said: "Tianchao is abundant and omnipotent. "". Qianlong's continuous expansion of self in the "prosperous world" is of course reflected in his aesthetics of art. The crafts of the Qianlong period swept the grace and elegance of the Yongzheng period, known for its full -scale craftsmanship and golden luxury. Whether it is porcelain or cloisonne, or tooth carvings, most of them are pursuing the poor shape, and they are glamorous -this is about the "prosperous" style of Qianlong overflowing. Buid Qianlong's ability to identify his calligraphy and painting appraisal and aesthetic taste also with the consistent arrogance of the prosperous king. It is said that he once wrote directly in the handwriting of Mi Yan in the coat of the inner government: "Fake. Don't!" And simply judged the "Fuchun Mountain Residence Map" as the real traces, but instead "useless roll" The version of the version is judged. The paintings and calligraphy appreciated by his dense insights are full of his feelings and poke the seal of the full chapter. The antique collected by him always engraved his poetic inscriptions. These questions and seals include: "Five Five Five Dynasties and Five Dynasties", "Ancient Rare Heavenly Son", "Eight Ethios", etc., their mentality and personality are also clearly exposed on the utensils. Qianlong sprinkled his dreams of his dreams on the utensils, bid farewell to his life in the seemingly beautiful dream. Just during this "prosperous age", the West began the industrial revolution. In 1774, the United States was established; in 1789, the Great Revolution broke out in 1789 -the times were changing in the new moon. After 40 years of death, the Opium War puented open the country and broke the "prosperous" fantasy dream of the Qing court.
wholesale sports jewelry Emperor Qianlong sat on the bed in the study of Hanfu to see the concerto
In 1711 AD, the Qing Gaozong Ai Xinjue Luo Hongli was born. 24 years later, Hongli succeeded, and the following year, the year was changed to Qianlong. It is said that "Qianlong" means "getting God's blessing" in Manchu.
has died in 1735 to 1799. In these 64 years, as the meaning of the "Qianlong" meaning, the Emperor Qianlong seemed to be blessed by heaven and created his own "Qianlong prosperity". The weather of that era was also immersed in the utensils he had, and a drop of drop, until today, he could still compete.
The royal family of the Qing Dynasty always attached great importance to education, and most of the prince's cultivation taste was also very good. At the age of 14, the Qianlong Emperor, who was able to go back and forth, and his personal quality was also tipped among many emperors.
This youthful aspirations, young people ascended to the throne. When Kangxi was ascended, he was next to the power and San Francisco's separation. The situation where the official governing pine and financial confusion in the Yongzheng dynasty did not appear in the Qianlong dynasty.
The grandfather and father laid a good foundation, coupled with their own inspirational governance, which made Qianlong the peak of the development of the feudal dynasty in China. Its social stability, abundant financial resources, the rapid growth of the population, and the continuous improvement of social production. The area of the territory reached the highest point of the dynasties outside the Yuan Dynasty (13.16 million square kilometers in the twenty -four years of Qianlong).
This statistics show that Daqing under the rule of Qianlong was the most powerful country in the world at that time. And the greatest concern of the dynasties: abroad, farmers' uprising, dictatorship of power and ministers, concubines and foreign relatives, eunuchs, royal politics, friendly party disputes, local separatist forces ... Stablize. In this case, Qianlong consciously had sufficient reasons to come to Daxing "Shengshi Collection".
The monarchs and scholars
Qianlong himself is a rare and energetic monarch in the past. Tourism, hunting, poetry, calligraphy, calligraphy, appreciation, and collection are all his life. Qianlong, who has been educated well, also has a strong sense of scholarship, and has both capital and style to cultivate his own interest.
This poetry, the poems preserved in his life reached 4,4420, which can be described as a person who wrote a book "The Tang Dynasty Poems"; he liked calligraphy, and his pen was used to take Zhao Mengfu, especially Wang Xizhi. "No less than a hundred times; he studied painting at the age of 19," loves to write flowers and birds alone ". At first, he copied famous works such as Lin Chun, Bianyu, Huang Quan, Xu Xi and other famous artists. Calligraphy and painting works in China are compiled into literature such as "Secret Hall Pearl Forest" and "Shi Qu Bao Di".
In Qianlong's own words, "I have been studying in the palace since I was a child, and I have been tasting for 20 years.
. He was always enthusiastically devoted to art aesthetic activities. He tried his best to search for a large number of artworks, and he held himself with high levels of collectors and connoisseurs. Qianlong's so -called elegant behavior of traditional scholars often made people from future generations startled.
of course, in addition to being part -time as a "scholar", Qianlong's main business is a monarch after all. Most of his life's efforts still have to be placed on the creation of his dynasty. Such a "prosperous" emperor's love for art may have been educated from a young age, or his own sex, but he cannot escape political factors.
The regime established by the Qing Dynasty, as the frontier of the minister Yu Ming, had to face the serious "destiny" and "orthodox" problem after entering the Central Plains. In this regard, Qianlong's father, Yongzheng quoted Han Yu's words in "The Records of the Righteousness": "China and Yidi also, then Yidi Zhizhi; Yidi and China, then China." The orthodox nature of culture replaces the orthodox nature of the descent and uses cultural identity as the core of identity. It is the key to accepting the legitimacy of the Chinese culture. In this case, Yongzheng and Qianlong's love for traditional culture are no longer a personal preference for personal preferences, but a deep choice based on the national ideological level.
It Qianlong, with the unprecedented level of collectibles, the abundance of art collections and the improvement of the level of craftsmanship are also the powder accessories of his achievements, and it is even more unprecedentedly proven. Qianlong, who was praised as "the first person in the old age", became a veritable "Eternal Player".
The antique and Western winds are not contradictory.
This in the Qing Dynasty had traditions of tribute. Many treasures of treasures were presented to monarchs to express loyalty through various names such as Nian Gong, Duanyang Gong, and Wanshou Gong. The number of rare treasures collected by Qianlong in his life is unparalleled.
This glorious peerless products come from the contributions of ministers. Among the Qing Dynasty crafts, which is collected by the Palace Museum today, the Qianlong period is the most exquisite and precious, the largest number, and the level of craftsmanship has reached the extreme.
The gold embedded jewelry "Golden Yonggu" cup (Qing Qianlong)
The special wine glass of Tu Su wine was held during the opening ceremony. The four words "Jin'er Yonggu" mean that the community Yongbao and Jiangshan Yonggu, were regarded by the emperors of the past generations after the Qianlong emperor.
Qianlong likes to collect texts, especially love jade. Not only collects the "three generations" (Xia Shang and Zhou) ancient jade, but also the palace to imitate a large number of jade articles from the Neolithic era to the Warring States Period. As a ceremony, jade, jade, and jade swords existed in the Qianlong dynasty. At the same time, in order to pursue the effect of "ancient", it is dyed and old for jade.
Due to the more thorough solving the problem of the frontiers (the rebellion of the quasi Geer), Qianlong has a unique jadeite place for jade. He consumes a lot of manpower and financial resources to invest in jade manufacturing. The complex and sophisticated composition of the composition are also the most in the past.
In addition, Emperor Qianlong was also keen on the collection and imitation of bronze wares. The Qianlong dynasty was also the peak period of antique copper wares. At that time, the antique copper shapes produced at that time were similar to the original instruments, such as Ding, 觚, Jue, pot, clock, etc.
although the casting method still follows the ancient "waxing method", the casting skills at this time have reached the level of pure fire, and various complex shapes are omnipotent. There are also various decorative methods, such as carving, hollowing, burning ancients, gold and silver, gold and silver silk, sprinkler and so on.
The artistic categories such as porcelain, painting, tooth carving, Qianlong set off a large -scale antique trend. Of course, although it is antique, after all, it is completely different. The simplicity, thickness and simplicity of the "three generations" jade have been deliberately replaced by the careful carving.
In addition to antique, Qianlong also showed a strong interest in the West. Although in the exchange, the Qianlong dynasty had passed the "honeymoon period" of Western missionaries and Western businessmen during the Kangxi period, but the penetration of culture has deeply affected the heart of the "Tian Dynasty" monarch.
Qianlong not only loves the telescope, watches, musical instruments, and toys from the Western Ocean, but also has a special care for the furnishings between his living room. French missionary Jiang Youren described not only lacked blankets in several palaces that Emperor Qianlong's leisure, but also "also mirrors, painting, seat clocks, branches chandeliers, and other most precious ornaments owned by Europe."
Qianlong is very enthusiastic about Western painting. He re -uses Western missionary painters such as Lang Shining, Wang Zhicheng, Ai Qimeng, and uses Western painting of his life (war, hunting, banquet, etc.). Express. The Yuanming Garden, which has the longest living time, has become a royal garden with a strong Western style.
"Qianlong Rongjian Reading Picture"
n
is just, although Qianlong loves all kinds of "Qi Qi Qi Qiao" in the West, but During his reign, he had no interest in business. During his reign, "resolute" closed the 73 -year -old port that has been opened since Kangxi, and said: "Tianchao is abundant and omnipotent. "".
Qianlong's continuous expansion of self in the "prosperous world" is of course reflected in his aesthetics of art. The crafts of the Qianlong period swept the grace and elegance of the Yongzheng period, known for its full -scale craftsmanship and golden luxury. Whether it is porcelain or cloisonne, or tooth carvings, most of them are pursuing the poor shape, and they are glamorous -this is about the "prosperous" style of Qianlong overflowing.
Buid Qianlong's ability to identify his calligraphy and painting appraisal and aesthetic taste also with the consistent arrogance of the prosperous king. It is said that he once wrote directly in the handwriting of Mi Yan in the coat of the inner government: "Fake. Don't!" And simply judged the "Fuchun Mountain Residence Map" as the real traces, but instead "useless roll" The version of the version is judged.
The paintings and calligraphy appreciated by his dense insights are full of his feelings and poke the seal of the full chapter. The antique collected by him always engraved his poetic inscriptions. These questions and seals include: "Five Five Five Dynasties and Five Dynasties", "Ancient Rare Heavenly Son", "Eight Ethios", etc., their mentality and personality are also clearly exposed on the utensils.
Qianlong sprinkled his dreams of his dreams on the utensils, bid farewell to his life in the seemingly beautiful dream. Just during this "prosperous age", the West began the industrial revolution. In 1774, the United States was established; in 1789, the Great Revolution broke out in 1789 -the times were changing in the new moon. After 40 years of death, the Opium War puented open the country and broke the "prosperous" fantasy dream of the Qing court.
(Author: Tao Jingwen)